“There’s the deuce and all going on there!” he said. “First of all about the row last night, and I think there must be something new as well, though I didn’t like to ask. Not a word about _you_, prince, the whole time! The most interesting fact was that Aglaya had been quarrelling with her people about Gania. Colia did not know any details, except that it had been a terrible quarrel! Also Evgenie Pavlovitch had called, and met with an excellent reception all round. And another curious thing: Mrs. Epanchin was so angry that she called Varia to her--Varia was talking to the girls--and turned her out of the house ‘once for all’ she said. I heard it from Varia herself--Mrs. Epanchin was quite polite, but firm; and when Varia said good-bye to the girls, she told them nothing about it, and they didn’t know they were saying goodbye for the last time. I’m sorry for Varia, and for Gania too; he isn’t half a bad fellow, in spite of his faults, and I shall never forgive myself for not liking him before! I don’t know whether I ought to continue to go to the Epanchins’ now,” concluded Colia--“I like to be quite independent of others, and of other people’s quarrels if I can; but I must think over it.”

“What is it?” asked the actress.

“I am only repeating your own exclamation!” said Colia. “A month ago you were turning over the pages of your Don Quixote, and suddenly called out ‘there is nothing better than the poor knight.’ I don’t know whom you were referring to, of course, whether to Don Quixote, or Evgenie Pavlovitch, or someone else, but you certainly said these words, and afterwards there was a long conversation...”
“What on earth will she say to me, I wonder?” he thought to himself.
“Ladies are exempted if they like.”
“Yes, I brought him down from town just after you had left the house.”
The outburst was so terribly violent that the prince thought it would have killed her.

“Has anyone a coin about them? Give me a twenty-copeck piece, somebody!” And Hippolyte leapt from his chair.

“Do you remember Ferdishenko?” he asked.
Nearly an hour passed thus, and when tea was over the visitors seemed to think that it was time to go. As they went out, the doctor and the old gentleman bade Muishkin a warm farewell, and all the rest took their leave with hearty protestations of good-will, dropping remarks to the effect that “it was no use worrying,” and that “perhaps all would turn out for the best,” and so on. Some of the younger intruders would have asked for champagne, but they were checked by the older ones. When all had departed, Keller leaned over to Lebedeff, and said:
“Come, come! This is intolerable! You had better stop, you little mischief-making wretch!” cried Varia. Gania had grown very pale; he trembled, but said nothing.

Suddenly he embraced Muishkin.

“_Very_ much; and I am so glad that you have realized the fact.” “None--none whatever,” agreed the prince hastily. “I admit you are right there, but it was involuntary, and I immediately said to myself that my personal feelings had nothing to do with it,--that if I thought it right to satisfy the demands of Mr. Burdovsky, out of respect for the memory of Pavlicheff, I ought to do so in any case, whether I esteemed Mr. Burdovsky or not. I only mentioned this, gentlemen, because it seemed so unnatural to me for a son to betray his mother’s secret in such a way. In short, that is what convinced me that Tchebaroff must be a rogue, and that he had induced Mr. Burdovsky to attempt this fraud.”

Hippolyte frowned gloomily.

“Twenty-five roubles.”

“It is a pity you have taken too much wine, Lebedeff I want to ask you something... but...” “Gentlemen, wouldn’t you like a little champagne now?” she asked. “I have it all ready; it will cheer us up--do now--no ceremony!” “This is not my own fantastical opinion--many people have thought the same; but I feel it so deeply that I’ll tell you what I think. I believe that to execute a man for murder is to punish him immeasurably more dreadfully than is equivalent to his crime. A murder by sentence is far more dreadful than a murder committed by a criminal. The man who is attacked by robbers at night, in a dark wood, or anywhere, undoubtedly hopes and hopes that he may yet escape until the very moment of his death. There are plenty of instances of a man running away, or imploring for mercy--at all events hoping on in some degree--even after his throat was cut. But in the case of an execution, that last hope--having which it is so immeasurably less dreadful to die,--is taken away from the wretch and _certainty_ substituted in its place! There is his sentence, and with it that terrible certainty that he cannot possibly escape death--which, I consider, must be the most dreadful anguish in the world. You may place a soldier before a cannon’s mouth in battle, and fire upon him--and he will still hope. But read to that same soldier his death-sentence, and he will either go mad or burst into tears. Who dares to say that any man can suffer this without going mad? No, no! it is an abuse, a shame, it is unnecessary--why should such a thing exist? Doubtless there may be men who have been sentenced, who have suffered this mental anguish for a while and then have been reprieved; perhaps such men may have been able to relate their feelings afterwards. Our Lord Christ spoke of this anguish and dread. No! no! no! No man should be treated so, no man, no man!”
Ivan Fedorovitch, now quite out of patience, interrupted suddenly. “Let me remark in my turn, sir,” he said in tones of deep annoyance, “that my wife is here as the guest of Prince Lef Nicolaievitch, our friend and neighbour, and that in any case, young man, it is not for you to pass judgment on the conduct of Lizabetha Prokofievna, or to make remarks aloud in my presence concerning what feelings you think may be read in my face. Yes, my wife stayed here,” continued the general, with increasing irritation, “more out of amazement than anything else. Everyone can understand that a collection of such strange young men would attract the attention of a person interested in contemporary life. I stayed myself, just as I sometimes stop to look on in the street when I see something that may be regarded as-as-as-”
“No; Constant was away then, taking a letter to the Empress Josephine. Instead of him there were always a couple of orderlies--and that was all, excepting, of course, the generals and marshals whom Napoleon always took with him for the inspection of various localities, and for the sake of consultation generally. I remember there was one--Davoust--nearly always with him--a big man with spectacles. They used to argue and quarrel sometimes. Once they were in the Emperor’s study together--just those two and myself--I was unobserved--and they argued, and the Emperor seemed to be agreeing to something under protest. Suddenly his eye fell on me and an idea seemed to flash across him.
Lizabetha Prokofievna was about to rise, when she saw Hippolyte laughing, and turned upon him with irritation.
“Is that all? What about her character?” persisted Mrs. Epanchin.
“When I observed that it was all the same whether one died among trees or in front of a blank brick wall, as here, and that it was not worth making any fuss over a fortnight, he agreed at once. But he insisted that the good air at Pavlofsk and the greenness would certainly cause a physical change for the better, and that my excitement, and my _dreams_, would be perhaps relieved. I remarked to him, with a smile, that he spoke like a materialist, and he answered that he had always been one. As he never tells a lie, there must be something in his words. His smile is a pleasant one. I have had a good look at him. I don’t know whether I like him or not; and I have no time to waste over the question. The hatred which I felt for him for five months has become considerably modified, I may say, during the last month. Who knows, perhaps I am going to Pavlofsk on purpose to see him! But why do I leave my chamber? Those who are sentenced to death should not leave their cells. If I had not formed a final resolve, but had decided to wait until the last minute, I should not leave my room, or accept his invitation to come and die at Pavlofsk. I must be quick and finish this explanation before tomorrow. I shall have no time to read it over and correct it, for I must read it tomorrow to the prince and two or three witnesses whom I shall probably find there.
Lizabetha Prokofievna well understood that the old lady was angry at the failure of Evgenie Pavlovitch--her own recommendation. She returned home to Pavlofsk in a worse humour than when she left, and of course everybody in the house suffered. She pitched into everyone, because, she declared, they had ‘gone mad.’ Why were things always mismanaged in her house? Why had everybody been in such a frantic hurry in this matter? So far as she could see, nothing whatever had happened. Surely they had better wait and see what was to happen, instead of making mountains out of molehills.
“Dear me! How you have gone into all the refinements and details of the question! Why, my dear fellow, you are not a caligraphist, you are an artist! Eh, Gania?”
“I know that there were just as many, and just as terrible, crimes before our times. Not long since I visited a convict prison and made acquaintance with some of the criminals. There were some even more dreadful criminals than this one we have been speaking of--men who have murdered a dozen of their fellow-creatures, and feel no remorse whatever. But what I especially noticed was this, that the very most hopeless and remorseless murderer--however hardened a criminal he may be--still _knows that he is a criminal_; that is, he is conscious that he has acted wickedly, though he may feel no remorse whatever. And they were all like this. Those of whom Evgenie Pavlovitch has spoken, do not admit that they are criminals at all; they think they had a right to do what they did, and that they were even doing a good deed, perhaps. I consider there is the greatest difference between the two cases. And recollect--it was a _youth_, at the particular age which is most helplessly susceptible to the distortion of ideas!”
“It was.”
“Lizabetha Prokofievna, what are you thinking of?” cried the prince, almost leaping to his feet in amazement.
The wearer of this cloak was a young fellow, also of about twenty-six or twenty-seven years of age, slightly above the middle height, very fair, with a thin, pointed and very light coloured beard; his eyes were large and blue, and had an intent look about them, yet that heavy expression which some people affirm to be a peculiarity as well as evidence, of an epileptic subject. His face was decidedly a pleasant one for all that; refined, but quite colourless, except for the circumstance that at this moment it was blue with cold. He held a bundle made up of an old faded silk handkerchief that apparently contained all his travelling wardrobe, and wore thick shoes and gaiters, his whole appearance being very un-Russian.

“Did you give my note? Is there an answer?” interrupted Gania, impatiently.

“‘Perhaps you are exaggerating--if you were to take proper measures perhaps--”

“Then, you don’t know how, for it is a matter that needs practice. Now listen and learn; in the first place buy good powder, not damp (they say it mustn’t be at all damp, but very dry), some fine kind it is--you must ask for _pistol_ powder, not the stuff they load cannons with. They say one makes the bullets oneself, somehow or other. Have you got a pistol?”

“I thought he might be useful. You know he is in love with Aglaya himself, now, and has written to her; he has even written to Lizabetha Prokofievna!”

“Come--you haven’t told us much!” said Aglaya, after waiting some five seconds. “Very well, I am ready to drop the hedgehog, if you like; but I am anxious to be able to clear up this accumulation of misunderstandings. Allow me to ask you, prince,--I wish to hear from you, personally--are you making me an offer, or not?”

“No--I don’t think I should run away,” replied the prince, laughing outright at last at Aglaya’s questions.
“My darling, my little idol,” cried the general, kissing and fondling her hands (Aglaya did not draw them away); “so you love this young man, do you?”
“Let’s all go to my boudoir,” she said, “and they shall bring some coffee in there. That’s the room where we all assemble and busy ourselves as we like best,” she explained. “Alexandra, my eldest, here, plays the piano, or reads or sews; Adelaida paints landscapes and portraits (but never finishes any); and Aglaya sits and does nothing. I don’t work too much, either. Here we are, now; sit down, prince, near the fire and talk to us. I want to hear you relate something. I wish to make sure of you first and then tell my old friend, Princess Bielokonski, about you. I wish you to know all the good people and to interest them. Now then, begin!”
“Quite so, I take no notice of it. Ha, ha! and think of this, prince, my pockets are always strong and whole, and yet, here in one night, is a huge hole. I know the phenomenon is unworthy of your notice; but such is the case. I examined the hole, and I declare it actually looks as though it had been made with a pen-knife, a most improbable contingency.”